Sara Graça
(click on every ♣ for more images/info)
auditioning for a shy image 1
digital print on epson matte paper, mounting mat, melamine chipboard, acrylic spray paint, 81 x 60 cm, 2024
auditioning for a shy image 2
digital print on epson matte paper, mounting mat, melamine chipboard, acrylic spray paint, 81 x 60 cm 2024
@Goldsmiths University, part of One Thousand Leaps from Vertigo, London, 2024
(left) poster for One Thousand Leaps from Vertigo, offset print on newspaper, edition of 200, 2024
(right) detail of One Thousand Leaps from Vertigo, 2024
@Goldsmiths University, part of One Thousand Leaps from Vertigo, London, 2024
5,6,7,8, and hold, and fall — 2024, laser video projection, loop, no sound, calico, cotton, wool, 400 x 300 cm
@Goldsmiths University, part of One Thousand Leaps from Vertigo, London, 2024
One Thousand Leaps from Vertigo, installation view, 2024
a click is a prop, a clip is a prop — 2024, UV print on melamine chipboard, acrylic paint, 81 x 60 cm
@Goldsmiths University, part of One Thousand Leaps from Vertigo, London, 2024
a click is a prop, a clip is a prop — 2024, digital print on hahnemtihle photo rag, mdf, glass, clips, 81 x 60 cm
Card Holder, 2023, sandalwood, tiger-eye stone, leopard-skin stone, copper wire, card holder, price tags, bar code tags, QR code tags, found post-it note, found passport photo, ten-pounds note, twenty-pence coin, ten-pence coin, one-cent coin, fifty-cent coin, SD memory card, hardwood plank, cotton lanyards, key rings, magazine cut-outs, metal and plastic wall hooks, found key, cotton shoelaces, oats with PVA glue, plastic beads. 230 × 90 × 7 cm
@Galeria Pedro Cera, part of the group show Bodies of Resistance, curated by Markéta Stará Condeixa, 2023
Jeni, 2022, drawing on paper, found frame, 22 x 16 cm
@Galeria Quadrum, part of group show Novas Novas Cartas Portuguesas, curated by Tobi Maier, 2022
and @Galeria Francisco Fino, part of group show Neyeyeght, curated by Valentinas Klimašauskas, 2023
Problema na Porta, 2022, wooden beads, plastic beads, threads, jeans, approx. 210 x 100 cm
@Galeria Francisco Fino, part of group show Neyeyeght, curated by Valentinas Klimašauskas, 2023
@Galeria Quadrum, part of group show Novas Novas Cartas Portuguesas, curated by Tobi Maier, 2022
Studio, 2022, mirrors, found cardboard tubes, metal stands, cotton thread, wool, mirrorball motor, metal tubes, cut-out aluminum, concrete, variable dimensions.
@Uma Certa Falta de Coerência, part of solo show Bisi Bisi, 2022
Installation view of B BLOSSOMS, solo show at MALA, 2022
No Inferno às 9, 2022, acrylic paint and glue on mount board, pins, found bar stools, variable dimensions.
@Galeria Solar, part of solo presentation No Inferno às 9, 2022
Noites de Chumbo I, 2022, air-dry clay, wax, graphite, 16 × 20 × 3 cm;
Noites de Chumbo VII, 2022, air-dry clay, wax, graphite, 16 × 20 × 3 cm;
and Noites de Chumbo X, 2022, air-dry clay, wax, graphite, 16 × 20 × 3 cm.
@Feria Material, with MALA, 2023
@MALA, part of solo show B BLOSSOMS, 2022
Nada Nada, 2022, aluminium plate, acrylic paint, satin ribbons, 100 x 100 x 20 cm.
@Galeria Quadrum, part of group show Novas Novas Cartas Portuguesas, 2022
Golden Plates, 2022, found paper plates, variable dimensions.
@Casa de São Roque, part of the group show Warhol, People and Things, curated by Alaina Claire Feldman and Barbara Piwowarska, 2022-2023
Office, paper, PVA glue, found shirt, dog food, chain, fan, acetate, 2022
@Uma Certa Falta de Coerência, part of solo show Bisi Bisi, 2022
@Feria Material, with MALA, 2023
Sem Cair, 2022, acrylic paint, aluminium plate, satin ribbons, dimensions?
@Galeria Quadrum, part of the group show Novas Novas Cartas Portuguesas, 2022
and @Culturgest Porto, part of the group show Apofenia, 2021
The Dearest One: Where Did 18 Go?, 2020, part of Ratazanas e Calendários, cut-out found calendar, 57 x 28 cm.
@Sismógrafo, part of the solo show Ratazanas e Calendários, 2020
@2024
(click on every ♣ for more images/info)
auditioning for a shy image 1
digital print on epson matte paper, mounting mat, melamine chipboard, acrylic spray paint, 81 x 60 cm, 2024
auditioning for a shy image 2
digital print on epson matte paper, mounting mat, melamine chipboard, acrylic spray paint, 81 x 60 cm 2024
@Goldsmiths University, part of One Thousand Leaps from Vertigo, London, 2024
(left) poster for One Thousand Leaps from Vertigo, offset print on newspaper, edition of 200, 2024
(right) detail of One Thousand Leaps from Vertigo, 2024
@Goldsmiths University, part of One Thousand Leaps from Vertigo, London, 2024
5,6,7,8, and hold, and fall — 2024, laser video projection, loop, no sound, calico, cotton, wool, 400 x 300 cm
@Goldsmiths University, part of MFA Fine Art degree show, 2024
One Thousand Leaps from Vertigo, installation view, 2024
a click is a prop, a clip is a prop — 2024, UV print on melamine chipboard, acrylic paint, 81 x 60 cm
@Goldsmiths University, part of MFA Fine Art degree show, 2024
a click is a prop, a clip is a prop — 2024, digital print on hahnemtihle photo rag, mdf, glass, clips, 81 x 60 cm
Card Holder, 2023, sandalwood, tiger-eye stone, leopard-skin stone, copper wire, card holder, price tags, bar code tags, QR code tags, found post-it note, found passport photo, ten-pounds note, twenty-pence coin, ten-pence coin, one-cent coin, fifty-cent coin, SD memory card, hardwood plank, cotton lanyards, key rings, magazine cut-outs, metal and plastic wall hooks, found key, cotton shoelaces, oats with PVA glue, plastic beads. 230 × 90 × 7 cm
@Galeria Pedro Cera, part of the group show Bodies of Resistance, curated by Markéta Stará Condeixa, 2023
Jeni, 2022, drawing on paper, found frame, 22 x 16 cm
@Galeria Quadrum, part of group show Novas Novas Cartas Portuguesas, curated by Tobi Maier, 2022
and @Galeria Francisco Fino, part of group show Neyeyeght, curated by Valentinas Klimašauskas, 2023
Problema na Porta, 2022, wooden beads, plastic beads, threads, jeans, approx. 210 x 100 cm
@Galeria Francisco Fino, part of group show Neyeyeght, 2023
@Galeria Quadrum, part of group show Novas Novas Cartas Portuguesas, 2022
and part of the Portuguese State's Contemporary Art Collection
Studio, 2022, mirrors, found cardboard tubes, metal stands, cotton thread, wool, mirrorball motor, metal tubes, cut-out aluminum, concrete, variable dimensions.
@Uma Certa Falta de Coerência, part of solo show Bisi Bisi, 2022
Installation view of B BLOSSOMS, solo show at MALA, 2022
No Inferno às 9, 2022, acrylic paint and glue on mount board, pins, found bar stools, variable dimensions.
@Galeria Solar, part of solo presentation No Inferno às 9, 2022
Noites de Chumbo I, 2022, air-dry clay, wax, graphite, 16 × 20 × 3 cm;
Noites de Chumbo VII, 2022, air-dry clay, wax, graphite, 16 × 20 × 3 cm;
and Noites de Chumbo X, 2022, air-dry clay, wax, graphite, 16 × 20 × 3 cm.
@Feria Material, with MALA, 2023
@MALA, part of solo show B BLOSSOMS, 2022
Nada Nada, 2022, aluminium plate, acrylic paint, satin ribbons, 100 x 100 x 20 cm.
@Galeria Quadrum, part of group show Novas Novas Cartas Portuguesas, 2022
Golden Plates, 2022, found paper plates, variable dimensions.
@Casa de São Roque, part of the group show Warhol, People and Things, 2022
Office, paper, PVA glue, found shirt, dog food, chain, fan, acetate, 2022
@Uma Certa Falta de Coerência, part of solo show Bisi Bisi, 2022
@Feria Material, with MALA, 2023
Sem Cair, 2022, acrylic paint, aluminium plate, satin ribbons, dimensions?
@Galeria Quadrum, part of the group show Novas Novas Cartas Portuguesas, 2022
and @Culturgest Porto, part of the group show Apofenia, 2021
The Dearest One: Where Did 18 Go?, 2020, part of Ratazanas e Calendários, cut-out found calendar, 57 x 28 cm.
@Sismógrafo, part of the solo show Ratazanas e Calendários, 2020
@2024